{"id":2808,"date":"2022-05-10T09:46:29","date_gmt":"2022-05-10T09:46:29","guid":{"rendered":"http:\/\/nunogracamoura.com\/?p=2808"},"modified":"2022-05-10T10:25:57","modified_gmt":"2022-05-10T10:25:57","slug":"102-2","status":"publish","type":"post","link":"https:\/\/nunogracamoura.com\/pt\/102-2\/","title":{"rendered":"102.2"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2779,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[38,22,26,1],"tags":[],"class_list":["post-2808","post","type-post","status-publish","has-post-thumbnail","hentry","category-exposicao","category-projecto","category-seleccionados","category-work"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 25,\r\n 25,\r\n 25,\r\n 25,\r\n 25,\r\n 25,\r\n 25,\r\n 25,\r\n 25,\r\n 25\r\n ],\r\n \"frameMargin\": 1.5,\r\n \"leftFrameMargin\": 1.5,\r\n \"rightFrameMargin\": 1.5,\r\n \"topFrameMargin\": 125,\r\n \"bottomFrameMargin\": 40,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

102.2<\/h1>

Exposi\u00e7\u00e3o \\\"Eduardo Souto de Moura: architettura sulla storia\\\"<\/h1>

2020-2022 \/ IT - M\u00e2ntua<\/p>

Projecto expositivo e curadoria
<\/strong>Cliente<\/strong>: Politecnico di Milano<\/span>
Autoria<\/strong>: Nuno Gra\u00e7a Moura com Barbara Bogoni<\/span>
Colabora\u00e7\u00e3o<\/strong>: Carlos Castro<\/span>
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A exposi\u00e7\u00e3o dedicada \u00e0 obra do arquitecto Eduardo Souto de Moura, que se apresenta ao p\u00fablico no Palazzo della Ragione, em Mantova, intitula-se \u201cArchitettura sulla storia\u201d, t\u00edtulo complexo e sujeito a diversas interpreta\u00e7\u00f5es.
A natureza \u00e9 uma constru\u00e7\u00e3o. A arquitectura, porventura na sua mais bela defini\u00e7\u00e3o, a de Schinkel, \u201c\u00e9 a continua\u00e7\u00e3o da natureza no seu processo construtivo\u201d. Nesse sentido, todas os lugares e todas as obras t\u00eam uma constru\u00e7\u00e3o e uma hist\u00f3ria. Da\u00ed termos como \u201ccentro hist\u00f3rico\u201d ou \u201ccidade hist\u00f3rica\u201d serem imprecisos e n\u00e3o operativos. Todos os projectos interv\u00eam sobre algo constru\u00eddo, para al\u00e9m de convocarem um conjunto de outras refer\u00eancias, que remetem para problemas de outros contextos, programas, \u00e9pocas, ou at\u00e9 mesmo para a vontade (arbitr\u00e1ria?) dos autores.
Dada a ambiguidade do t\u00edtulo desta breve exposi\u00e7\u00e3o, todas as obras de arquitectura poderiam estar, mesmo que indirectamente, por ele abarcadas. Sugerimos limitar o conjunto de obras expostas a interven\u00e7\u00f5es em edif\u00edcios pr\u00e9-existentes, um poss\u00edvel \u201ctema\u201d dentro da vasta produ\u00e7\u00e3o do arquitecto. A selec\u00e7\u00e3o colectiva dos projectos, sempre parcial e incompleta, abarca oito obras das \u00faltimas quatro d\u00e9cadas. Os projectos s\u00e3o apresentados em diversas fases da sua elabora\u00e7\u00e3o, procurando sinteticamente esclarecer o m\u00e9todo de abordagem de cada um. Ficar\u00e1 claro que para ESM n\u00e3o existe uma forma de intervir numa constru\u00e7\u00e3o que esteja pr\u00e9-definida numa carta ou teoria. Os variados conceitos de interven\u00e7\u00e3o, muitas vezes complementares e contradit\u00f3rios, resumem-se inconscientemente no projecto, dependendo das condicionantes e do autor. O passado (que, de resto, tamb\u00e9m se inventa), se \u00e9 um elemento do projecto, s\u00ea-lo-\u00e1 de um modo inconsciente, por forma a que autor n\u00e3o se deixe paralisar. Souto de Moura nunca come\u00e7a um projecto por estudar a hist\u00f3ria de um lugar. Procura reconhecer, antes de tudo, a forma de intervir mais adequada aos problemas espec\u00edficos colocados. A hist\u00f3ria surge, nas suas palavras, como forma de \u201cconfirma\u00e7\u00e3o do projecto\u201d, mais do que como um dado operativo adquirido a priori.
Enquanto arquitecto - n\u00e3o sou te\u00f3rico nem historiador -, \u00e9 esta uma breve s\u00edntese da minha experi\u00eancia pessoal ao trabalhar com o Eduardo ao longo dos \u00faltimos vinte e cinco anos. Acredito que os trabalhos patentes a poder\u00e3o confirmar.
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